ATJ - Latest Issue (Univ. Hawai'i)

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From the Editor, v Addendum to Modern Chinese Drama in English: A Selective Bibliography Siyuan Liu and Kevin J. Wetmore Jr., 279 SYMPOSIUM: FOUNDERS OF THE FIELD (First Generation Asian Theatre Scholars in the United States) edited by Siyuan Liu … Continue reading →

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Special Issue: Asian Shakespeare 2.0 From the Editor, iii Special Issue Editor’s Introduction: Asian Shakespeare 2.0, 1 ARTICLES Shakespeare-Asian Theatre Fusions: Globe-“alization” of Naked Masks (Bangkok), Shadowlight (San Francisco), and Setagaya Public Theatre (Tokyo) Kathy Foley, 7 This essay explores … Continue reading →

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From the Editor, iii PLAY Dorei (Slave): A Play by Tamura Toshiko. Introduction and translation by Anne Sokolsky and Tim Yamamura, 203 ARTICLES Performing Indigeneity in the Cordillera: Dance, Community, and Power in the Highlands of Luzon William Peterson, 246 … Continue reading →

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Sadhu Antanir Gan

From the Editor, iii ARTICLES Depictions of the Kawara-no-in in Medieval Japanese Nō Drama Paul S. Atkins, 1 The Kawara-no-in (Riverside Villa) of the courtier Minamoto no Tōru (822–895) figures prominently in tenth-century Japanese literary texts as both a site … Continue reading →

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Iranian surat/lo'bat

From the Editor, iii PLAY All Three Fear Their Wives (Sanpaqi): A Post-Midnight Shadow Play Introduction and translation by Fan Pen Chen, 197 Post-midnight plays were bawdy, skitlike plays performed late at night, after the women and children have left. … Continue reading →

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Desdemona

Editor’s Note, iii PLAY Cry to Heaven: A Play to Celebrate One Hundred Years of Chinese Spoken Drama by Nick Rongjun Yu Introduction and translation by Shiao-ling Yu, 1 Yutian (Cry to Heaven) is the third Chinese stage adaptation of … Continue reading →

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Truna Jaya

Editor’s Note, iii PLAY Three Dollars in National Currency: A One-Act Comedy by Ding Xilin Introduction and Translation by Christopher G. Rea, 173 Three Dollars in National Currency (San kuai qian guobi 三塊錢國幣, 1939) is a little-known one-act comedy that … Continue reading →

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Kattaikkuttu youth theatre performer

Editor’s Note, iii ASIAN THEATRE JOURNAL 2007 LECTURE Tradition, Change, and Continuity in Chinese Theatre in the Last Hundred Years: In Commemoration of the Spoken Drama Centenary Colin Mackerras, 1 Commemorating the centenary of the spoken drama’s introduction into China … Continue reading →

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Editor’s Note, iii An Addendum to “Myth and Reality: A Story of Kabuki under American Censorship, 1945–1949” James R. Brandon, v ARTICLES Holy Week in the “Heart of the Philippines”: Spirituality, Theatre, and Community in Marinduque’s Moriones Festival William Peterson, … Continue reading →

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Editor’s Note, v PLAYS Suehirogari (The Fan of Felicity) Translated and introduced by Andrew T. Tsubaki, 1 Suehirogari (The Fan of Felicity) is one of twenty-three Auspicious Plays (waki kyōgen) in the current kyōgen repertory. This play uses the relationship … Continue reading →

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